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Description

Screenprint 2 layers and screenprint monotype
106,7 x 142,2 cm
Magnani Revere White paper 330 gsm.

EDITION OF 30 / Each one is a unique edition

Made in collaboration with 56Fili

Produced by Varsi Art & Lab, 2022

Artist info

BORONDO

Gonzalo Borondo
was born in Valladolid (ES) in 1989. Since 2007, he has developed his works in public spaces, elaborating an original idiom of painting and installations closely tied to the sites of his efforts. His art arises from a dialogue with the surrounding context, an ongoing exchange with the memories of the site and the perceptions of its space, both physical and symbolic. The underlying aim of his artistic experimentation is to extend the possibilities of painting into other disciplines (theatre, video-art), supports (glass, straw, walls, ceramics, woodโ€ฆ), and multiple aesthetic techniques (stone engraving, silk-screening). Borondo explores the idioms of the past, recasting them in a contemporary light through a new and innovative approach to tradition.His contemplation of the sacred, of the conflicts inherent in the pairing of man and nature, serves as theย cornerstone of his poetics, which he uses to break these elements down, in the course of the creative act, into their most ancestral, instinctive forms, bringing forth a perpetual essence. The artistโ€™s interest in working in public places, in exploring the relationship between art and life, has led him to develop site-specific projects in non-conventional settings, works whose impact on the general public, as both installations and experiences, has been intense. Borondo creates public works of art on an international level. Since 2012 he has held one-man shows in museums, galleries, and other venues in Italy, Spain, France, and England. His latest projects include โ€œInsurrectaโ€ (Segovia, ES, 2020), โ€œMerciโ€ (Temple des Chartrones, Bordeaux, FR, 2019), โ€œSacrilรฉgeโ€ (an opera recital at the Toursky Theatre, Bordeaux, FR, 2018), โ€œMatiรฉre Noireโ€ (the flea market in Marseilles, FR, 2017), โ€œNon-Plus Ultraโ€ (MACRO โ€“ Museum of Contemporary Art of Rome, IT, 2018) and โ€œCenereโ€ (the cemetery chapel, Selci, IT, 2017).

TRESOLDI

Edoardo Tresoldi
explores the poetics of the dialogue between human beings and the landscape, using the language of architecture as an expressive tool and as a key to reading space. The artist plays with the transparency of wire mesh to transcend the spatiotemporal dimension and narrate a dialogue between art and the world, a visual synthesis revealed in the fading of the physical boundaries of his works. Born in Milan, Tresoldi moved to Rome after art school, working in the fields of sculpture, stage design, and the cinema, where he developed a heterogeneous approach to the arts. The sculptor recognized the contrasts of the contemporary landscape as his Genius Loci and identified the cross-fertilization of ideas and influences as the founding principle of his work. Since 2013 he has produced installations in public spaces, archaeological sites, festivals, and exhibitions around the world. In 2016, in collaboration with the Italian Ministry of Culture, he realized a work for the archaeological site of the Early Christian basilica of Siponto, a unique convergence between contemporary art and archaeology that was awarded the Gold Medal for Italian Architecture. In 2018 the artist producedEthereafor the Coachella Valley Music and Arts Festival in the USA. In 2019 he presented Simbiosi in the prestigious context of Arte Sella and founded STUDIO STUDIO STUDIO, an interdisciplinary lab that supports artists, public art projects, and contemporary art production. In 2020 he inaugurated a permanent installation called Opera in Reggio Calabria, Italy.

More info

Signed and numbered by the artist.

โ€œSealed Memoriesโ€ is a series of screen printing monotypes, every mark is reproduced embedding new gestures and vibrancy.

Each print, similar but different to their sisters, is individually hand painted following the intention behind the sigil.

An asemic array of unspoken letters, each one with a unique meaning, channelled by the viewer and not given by the artist.

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