Alberonero is a designer, painter and sculptor.

Born in Lodi (IT) in 1991, at the age of fifteen he started writing poems and experimenting with painting in relationship to the physical space through graffiti technique, playing with letters, shapes and colors.

In 2013 he graduated in Interior Design at Politecnico di Milano where he had the chance to merge theory with experience and developed a transversal approach to a creation able to connect thoughts with different disciplines.

In 2012 Alberonero started focus on the study of color’s perception and on the research of a code that can minimize the visual language. For six years he intervened in the public space by painting sequences of colors ordered in a geometric grid, as instrument of investigation of the connection between mathematics, poetry and sensation.

Since 2017 the interest of the artist moves towards the matter and the creation of devices made of poor materials which are linked to the building and agriculture’s world such as concrete, iron, wood, agricultural nets, but also fabrics, plaster and glass, telling us about a super-natural reality.

The practice of construction finds form in these elements, in installations born from a careful listening of the site, by the will to “be place”, to erase boundaries between the self and the outside and participate in the space in a poetic way.

Alberonero realized installation projects, exhibitions and workshops in Italy and in different Countries all around the world including France, Ukraine, Spain, Poland, Germany, Indonesia, United States and Saudi Arabia.

Each artwork of “Miacromia” series is composed of four sheets of plexiglass, which, as in the case of the artbook, have been screen-printed with gradients of color of increasing intensity. Held together by the white frame, the overlapping sheets create four-colors that suggest to our sight the union given by the sum of the individual parts. The artist gives the observer the task of analytically breaking down the first visual impact and separating it into its original shades, thus making it necessary to make an effort to analyze the color as a pure element, extrapolated from the context within which we are used to reading and perceiving it.

“The intent of these works is to create invisibility, a cloud given by the mellow and soft color, the four layers give depth to the cloud and the transparent margin gives it structure, the central element is the white frame that detaches the object from its context.”

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